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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, September 18, 2008

Flowers

It's amazing how much better things look when you spend a bit of time on them. (Yeah, yeah, I know - I should have figured that one out years ago.)



I usually spend ages on the face and not so much time on the details. But instead of rushing my way through this drawing, I took the time to get the flowers right. Not only did I thoroughly enjoy the process - and it's make a huge difference to the piece.

OK, lesson learnt. No more skimping on the details. Cross my heart.

xxx scarlett

PS. She's still a work in process, but not too far to go now.

Wednesday, March 26, 2008

Sleeping with the fishes

Lovely Bill organised a weekend away to Adelaide over Easter. I didn't have to lift a finger (or do any of the driving) so I couldn't be happier. It's the first vacation I've been on since I was twelve where I didn't book everything myself!

And how better to celebrate than (mind out of the gutter, please) drawing in the hotel room!



I was so happy with the way 'Milk' turned out that I thought I'd try a similar look, but with some more detail. A bit of seaweed and a few fishies later...



The funny thing is that I didn't realise where I got the inspiration for this piece until I was putting this post together and looking through the photos I took while we were in South Australia. But it seems that fish may have been on my mind.


(Fish painting from the hotel)

(Bill the catfish)

xxx scarlett

Sunday, October 28, 2007

Linden Postcard Show

OK this year I'm entering the Linden Postcard Show.

Not just talking about entering, but actually getting off my lazy arse, filling in the entry form and entering.

I've got until December to decide, so I'm playing around with some new pieces.

1. NAMELESS GIRL 1
(She doesn't get a name until she's finito)


Half done


Almost finished


Maybe a few more tweaks tomorrow.


OK, she's finished now (not sure about the eyelashes - she may have a few too many!)

I'll post new pieces as I do them. I'd love some feedback if anyone's up for it.

xxx scarlett

Saturday, September 22, 2007

From trash to treasure

I've discovered my new favourite combination - cardboard backing from old layout pads mixed with brightly coloured pencils, ink and charcoal.

This is the result.


Cherry, Tabitha (the witch, naturally!) and Nancy (the new air hostie).

I'm so happy with the way Cherry's hair turned out! And I adore Nancy's little blue scarf.

But I just love drawing on this cardboard! It has a slightly flecked texture to it and creates the most superb background. And, when used just right, the pencils (Derwents that I've had since I was little) give the most gorgeous rich tones to each piece.

I'm really excited!

Anyway, I'm flitting off to Queensland at the end of the week. And I guarantee I'll be filling my bags with a pile of cardboard and my little box of pencils!


xxx scarlett

Sunday, September 02, 2007

My brother's going to kill me

Maybe.

I wrote an article for his website - lifelounge (WELL worth a visit) quite some time ago. It was about Mark Ryden and I'm rather proud of it.

So a few minutes ago, under the cover of darkness, I made a night time raid, stole the banner he made and reposted the entire article here.

Naughty. ;)

Here it is:


Remember that scene in The Sixth Sense when the kid who sees dead people asks Bruce Willis if he ever feels ‘the prickly things’ on the back of his neck?

That’s how I feel when I look at a Mark Ryden painting.

LA based Ryden is a masterful painter whose technical skill is as brilliant as his subject matter is … well, just plain creepy. Don’t get me wrong, these paintings are utterly captivating. But Ryden’s work has more layers upon layers upon layers than a Sara Lee Apple Strudel. And when you start scratching beneath the surface, prepare to be alarmed.

At first glance you’d be forgiven for thinking ‘perfect for the nursery!’ – after all, Ryden’s art looks much like the old fashioned illustrations that would have adorned your parent’s bedrooms and books when they were children.

Take The Ecstasy of Cecelia for instance.

It’s a sweet painting of a little girl in a pretty party dress playing a pink baby grand piano. But hang on, why is the giant bunny jack-in-the-box grinning like that? And is that a naked baby leaning on a leg of lamb in the corner? And then there’s the lab equipment and Abe Lincoln and … there go those prickly things on the back of my neck.

Or how about Butcher Bunny?

Yeah, I know, the title sets off alarm bells.

But there’s a real sweetness and innocence in the face of the little girl who’s leading a tiny Abe Lincoln by the hand into a butcher shop where a giant bunny plush toy is cutting up hunks of meat with a … prickle prickle prickle.

'Weird, but nice'

So by now you’re probably wondering what sort of messed up childhood this guy must have had.

Sorry to disappoint you – it was pretty normal. Mark’s dad made ends meet by painting, restoring and customising cars. His mum devoted herself to raising her five children and encouraging them in creative pursuits.

Of course, Little Mark took great delight in freaking out his teachers by drawing dogs with their intestines showing and self portraits with a third eye. And, yeah, almost all of his yearbook signatures are to a ‘weird, but nice’ guy.

Today this ‘weird, but nice’ guy’s distorted fairy tale images are exhibited in museums and galleries worldwide, and his clients include Stephen King (no surprises there), Leonardo DiCaprio and Ringo Starr.

Mark Ryden deserves every success. Trained as an illustrator, he originally learned to paint in acrylic, and then taught himself to use oils. Legend has it that there’s a secret ingredient in his oil paint, but when asked about this, Ryden’s reply was a cryptic, ‘I have to keep that in the cone of silence’.

The amount of effort and care he puts into each piece is phenomenal. Do you know, it took him almost two years to complete the eight paintings in his Bunnies and Bees exhibition. That’s unusual these days where everything has to be done right NOW. But Ryden refuses to be rushed. He paints slowly, he takes his time and gets it right. Truth be told, there’s a touch of nerd about him – who else uses a magnifying glass to get every detail right? But when all’s said and done, it’s these details that make the difference between a nice painting and a spellbinding Ryden masterpiece.

So make sure you take a good look at these details. Then look again. That way, when you see a painting like Swap Meet Man you’ll notice the bunny riding a deer.

And then realise it’s actually a baby in a bunny suit riding a deer. Oh, hang on – a baby in a bunny suit sitting on the skeleton of a deer while holding its mounted head in the appropriate position.


How could I have been so mistaken?

Why I love Joe Sorren

Simple. It's the way he uses light in his paintings.

OK, it's other things too.

Sorren paints in a wonderful impressionistic style that I couldn't mimic to save myself. I just don't understand how people can flop blobs of paint on a canvas and get pictures like these out of it. I have to make sure every line is in an organised logical position, but Sorren can clearly feel his way around the image.

This is his most recent piece (you can see it on his home page).
Look at the way that light is reflecting onto those two boys. Just gorgeous. Not to mention that darling expression on the one on the right.




Then there's my all-time favourite, Mother As Bull With Parasol.
I had to buy this one and I'm still besotted with it. I'm also still in awe of the way the light hits her back.




And finally Glimmer.

The light is still beautifully done, but it's the figure herself that I'm in love with in this one. There's such a sweetness and innocence surrounding her.



I have the horrible feeling my credit card is going to take a Joe Sorren style beating once again.

Ouch.

xxx scarlett